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	<title>Open Media Review &#187; Open Fiction</title>
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	<link>http://openmediareview.com</link>
	<description>Collecting the best in what Open Media has to offer</description>
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		<title>Audio Dramas Galore</title>
		<link>http://openmediareview.com/2008/02/02/audio-dramas-galore/</link>
		<comments>http://openmediareview.com/2008/02/02/audio-dramas-galore/#comments</comments>
		<pubDate>Sat, 02 Feb 2008 23:17:44 +0000</pubDate>
		<dc:creator>Mur Lafferty</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Guest Review]]></category>
		<category><![CDATA[]]></category>
		<category><![CDATA[audio drama]]></category>
		<category><![CDATA[Open Fiction]]></category>
		<category><![CDATA[podcast]]></category>

		<guid isPermaLink="false">http://openmediareview.com/2008/02/02/audio-dramas-galore/</guid>
		<description><![CDATA[Reader Jeremiah McCoy sent this in, thanks, McCoy! In the early days of radio the search for new ways to use the medium led to different directions. One of the most memorable was the Radio Play or Audio Drama. This art form started as traditional stage plays read into a microphone for broadcast. Later the [...]]]></description>
			<content:encoded><![CDATA[<p><font face="Times New Roman" size="3">Reader <a href="http://thebasicsofthegame.blogspot.com" target="_blank">Jeremiah McCoy</a> sent this in, thanks, McCoy!</font></p>
<blockquote><p><font face="Times New Roman" size="3">In the early days of radio  the search for new ways to use the medium led to different directions.  One of the most memorable was the Radio Play or Audio Drama. This art  form started as traditional stage plays read into a microphone for broadcast.  Later the writers and producers of radio shows began to see the potential  of the medium and wrote specific stories just for the Radio.  Using  Foley artist and musicians to create soundscapes, radio dramas were  quickly becoming the popular medium of choice. </font></p>
<p><font face="Times New Roman" size="3">The power of these radio plays  is best shown in famous 1938 Halloween War of the Worlds broadcast.  Produced by the Mercury Radio Theater  and staring Orson Wells,  the show literally through people in a panic as many believed the fictional  broadcast about invaders from Mars was genuine. </font></p>
<p><font face="Times New Roman" size="3">Despite its power and popularity,  radio plays in the US began to fall to wayside in the 1950&#8242;s. The popularity  of television began to drive the radio shows to the background. It slowly  declined to almost non existence here in the US. There were of course  enthusiast groups maintaining the form. The BBC and other channels outside  of the United States also continued and still continue to produce new  shows. </font></p>
<p><font face="Times New Roman" size="3">Than came podcasting.<br />
</font><br />
<font face="Times New Roman" size="3">The ease with which people  could distribute audio files across the internet allowed many people  to make any sort of audio format show they wanted. The enthusiasts for  radio plays saw this as an opportunity to share their love of the medium  of audio dramas. New productions were popping up all the time and being  distributed in a free an open manner to make sure the word got out.  Now there are over a hundred audio drama productions to be found on  the web. They feature full casts spread across the globe, sound effects  and often featuring creative commons released music. </font></p>
<p><font face="Times New Roman" size="3">One of the first ones to look  at is the <a href="http://www.sonicsociety.org/" target="_blank">Sonic Society</a>. They are a podcast which features other audio  drama productions. A different group is featured in every episode. As  well as sometimes having their own in house productions, Jack and Shannon  also interview the people making some of the best shows available today. <em>[ed. note: This page informed me about <a href="http://216.83.31.242/Public/Society.nsf/d6plinks/JWAD-7BE6A2" target="_blank">this</a>, which I pray will be going out on the Internet soon after the production. Squeee! Don't panic.]</em></font></p>
<p><font face="Times New Roman" size="3"></font><font face="Times New Roman" size="3">Another prominent production  to check out is <a href="http://decoderring.libsyn.com/" target="_blank">Decoder Ring Theater</a>. These guys do a classic radio  show production with good writing and brilliant voice acting. Their  two main shows are The Adventures of the Red Panda and Black Jack Justice.  They are both serialized tales in the fine traditions of The Shadow  and Nick Danger. </font></p>
<p><font face="Times New Roman" size="3">These are only a couple of  the productions being released by podcast feed. There are many many  more.  If you enjoy a good full production audio tale these are  but a couple of shows you should look into.</font></p></blockquote>
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		<title>James Patrick Kelly Interview at Creative Commons</title>
		<link>http://openmediareview.com/2008/01/30/james-patrick-kelly-interview-at-creative-commons/</link>
		<comments>http://openmediareview.com/2008/01/30/james-patrick-kelly-interview-at-creative-commons/#comments</comments>
		<pubDate>Wed, 30 Jan 2008 22:26:58 +0000</pubDate>
		<dc:creator>Mur Lafferty</dc:creator>
				<category><![CDATA[Open Fiction]]></category>
		<category><![CDATA[by-nc-nd]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[science fiction]]></category>

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		<description><![CDATA[James Patrick Kelly, Hugo and Nebula winning science fiction author, is featured over at Creative Commons as their Featured Commoner. Jim is a favorite writer of mine, not only because he is vastly talented and very approachable, but also because of him being one of the first pro writers to embrace Creative Commons and podcasting. [...]]]></description>
			<content:encoded><![CDATA[<p>James Patrick Kelly, Hugo and Nebula winning science fiction author, is featured over at Creative Commons as their <a href="http://creativecommons.org/weblog/entry/8004" target="_blank">Featured Commoner</a>. Jim is a favorite writer of mine, not only because he is vastly talented and very approachable, but also because of him being one of the first pro writers to embrace Creative Commons and podcasting. Sure, there are tons of us wanna-bes, but it&#8217;s Jim&#8217;s street cred that helps to impress on others how important it is.</p>
<p>Jim released his novella, Burn, on the <a href="http://www.jimkelly.net/index.php?Itemid=43&amp;id=21&amp;option=com_content&amp;task=blogcategory" target="_blank">Free Reads podcast</a>, but also has podcasted stories, dramatic readings, and his older novel, Look Into The Sun.</p>
<blockquote><p>&#8230;one of the things I continually try to impress on my students (and fellow professionals) is that real writing needs readers. Consider the old philosopher’s chestnut: If a tree falls in the forest and there’s nobody to hear it, does it make a noise? Now tweak it to writing: If a story gets published in a magazine and two years later nobody can put their hands on the magazine, is the story still published?</p></blockquote>
<p><a href="http://creativecommons.org/weblog/entry/8004" target="_blank">~ Finish the interview </a></p>
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